Tuesday, February 3, 2009

Love follows the scent of three women



Producer/director Tsui Hark who is better known for producing movies like Swordsman, Once Upon A Time in China and Seven Swords has ignited a trail of aromatic pheromone that has triggered packs of men and women catching its scent and following it.

After having sniffed it, they have either got lost or may have continued to walk in a daze.

All About Women is the story of three women who are a mixture of bohemian, oddball and corporate types. It is amazing that the entire plot was born on the cradle of pheromone. Pheromone is a chemical substance secreted by animals, including humans regardless of gender, that normally sparks sexual attraction.

On such a premise, the plot is born and before long, becomes quite convoluted that the ordinary movie goer may struggle to keep up with its pace.

Tsui Hark's brand of humour in this instance is fired simultaneously in several directions. Even though it is a romantic comedy of the slightly weird kind, it manages to draw some feeble sniggers from the audience.

However, Tsui Hark shares the credit of writing the screenplay with Korean director Kwak Jae-yong. One wonders what these two men were up to when they conjured the story in their minds.

There's an allusion that links All About Women to that Korean hit movie My Sassy Girl. Those who watch this movie can arrive at their own conclusion.

The focus of the show is on Tang Lu (Kitty Zhang Yugi), a beautiful, top-notch corporate powerhouse who has everyone running to her office when she barks an order. However, she doesn't hold a high opinion of men because she believes intelligence is the key to happiness, until one day a pheromone bullet went right up her nose.

Fan Fan (Zhou Xun) on the other hand is a dedicated lab rat who one day discovers that the secret of a woman's sexual success lies in a substance that will bring down any man to his knees. Thus, begins her experiments and the consequences that later leads to the intertwining of three women's lives.

The third party involved is Tie Ling (Kwai Lun-mei) who is an unusual specimen of a woman because she boxes in her spare time, turns rocker at night and has a handsome boyfriend that's the figment of her imagination.

If this movie wasn't so ambitious, it would have succeed magnificently from the word "go". But Tsui Hark may have momentarily forgotten that All About Women is not all about swordplay where battlefield melee adds to the attraction.

Numerous sexual tension filled scenes were deliberately exaggerated in their effects. That technique could have scored if it had been a novelty, except that it has been overused in countless films.

It would be unfair to Tsui Hark who is regarded as somewhat of a legend in Hong Kong if the conclusion is drawn that he has fumbled and fallen flat on his face.

All About Women does have its moments. They were far and few between but nonetheless they were there at unexpected moments. It wasn't a total washout.

I won't venture to say that this movie rates a "must-see". It would be more accurate to say "see it if you so wish and have some hours to kill".

Apart of Kitty Zhang who instantly draws any hot-blooded man's attention with her stunning looks, Zhou Xun and Kwai merely make up the numbers in the show. Since this movie is written, produced and directed by men, it is assumed that it also caters to men. So we get to decide where the axe falls.

This pheromone scented film is not designed to be intellectually stimulating but it seems to make a valiant attempt at arousing our physical senses in a season of Hong-Kong-no-hit-movies.

The limpid conclusion of All About Women makes one almost regret leaving Cecelia Ahern's The Gift lying unread at the bottom drawer. May be Tsui Hark will have better luck next time. We all know he can do much better.

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